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| SHE & HIM (M. Ward and Zooey Deschanel) |
Volume 3
(Merge Records)
Zooey Deschanel is the eighth
hottest chick in the history of the human race (hotter than even
Ann Coulter — the eleventh hottest). In fact, I often fantasize that Zooey
and I are married and we have a
really chic apartment located in southern France. Hence, I'd have been cool if this record sucked — at least I could enjoy the photos of Zooey included in the CD booklet. Fortunately, it's a pop masterpiece
— easily worth ten times the
$13.73 that it cost me at Starbucks.
— easily worth ten times the
$13.73 that it cost me at Starbucks.
________________________
It's 1979. A teenage kid walks into his neighborhood record store. As if it were burning a hole in his pocket, he gleefully surrenders $14.63 to his local dealer — a guy with a pony tail, wearing flip flops and a faded Nugent T-shirt who's manning the store cash register that afternoon. The kid races out of the shop. In short order, he unlocks his bike from the rack on the shopping center sidewalk and speeds home, clutching the Record Town bag that contains his latest treasures — LP copies of Parallel Lines and Armed Forces. For the next several hours he sits in his room, mesmerised by the music, flipping the vinyl slabs on the turntable from Side A to Side B over and over and over — not because of any personal connection to the current New Wave phenomenon, but because of a burning passion — an insatiable hunger for stripped-down, well-crafted, stick-to-your-ribs pop songs.
Fast forward to 2013. The kid is an old man now. But at fifty, he still possesses an amazing fashion sensibility and chicks still dig him, so life could be worse. His neighborhood record store now has been reduced to a 6"x12" space on the front counter of his favorite local coffee shop. He still maintains a fiery passion for authentic pop, however, the music seemingly died years ago. As he orders his bold Grande coffee in a Venti cup from his modern day dealer, a fresh-faced nineteen-year-old barista with long red pigtails and fashion-forward black horn rimmed glasses, he peruses the five CD choices placed next to the cash register. "Hmm, this looks like a fun record." Even if it sucks, there's bound to be a few pics of Zooey inside. "I'll take this She & Him CD too, please."
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Recorded at LA's legendary Sound Factory, Volume 3 is the latest and third non-holiday record from the dynamic duo, She & Him. The musical embodiment of the Reese's slogan, "Two great tastes that taste great together," She & Him combines the magical pop songs and angelic voice of Zooey Deschanel (vocals and keyboards) with the Big Al Anderson-inspired guitar work and production genius of M. Ward. In fact, if I could track him down, I'd show up at Ward's house and offer him a festive-looking congratulatory cupcake and a Hallmark greeting card with an inscription thanking him for knowing how to produce a pop record — vocals in the front, guitars in the back!
Volume 3 oozes fourteen pure pop treasures — eleven of Zooey's and three covers. Simply put, it's fresh and fun, sweet and innocent, and so retro that it sounds new — reminiscent of early Blondie — before they, well, you know.
But a duo does not (neccessarily) a band make. And Volume 3 features performances from a stellar cast of studio cats. Possessing a firm grasp of the "less is more" philosophy, Scott McPherson provides perfect drum tracks throughout the record and I personally was delighted to see bassist Joey Spampinato credited several times in the liner notes (NRBQ reference #2).
The opening track, "I've Got Your Number, Son," had me hooked at the :04 mark. And at :21, I knew that this was just the beginning of what was surely going to be a very long and monogamous love affair.
"Never Wanted Your Love" brought back fond memories of rock and roll trailblazer, Genya Ravan, circa 1978. Genya Ravan? Really? How is this even possible? Whatever planet Zooey and M. come from, I wanna go there, tonight!
One of only three non-Zooey-penned tracks, "Baby" (Jeff Barry, Ellie Greenwich, George Morton) could easily have been featured in the pages of my third all-time favorite book, POP SONGWRITING 101: It's About the Melody, Stupid — this track is a golden gem.
In "I Could Have Been Your Girl," Zooey channels Debbie Harry (à la "11:59") — another major highlight. And speaking of Blondie (again), The She & Him version of Chris Stein's "Sunday Girl" is a perfect remake. Dare I say that it's better than the original? Okay, well it's at least as great — even though I still don't know French.
Another wonderful moment is the delicate and sultry remake of Harry Noble's 1952 classic, "Hold Me, Thrill Me, Kiss Me."
And the winner of Volume 3's "Best of the Batch" award goes to... "Somebody Sweet to Talk To." It's catchy, hooky, infectious — let's sing along, kids! I got the pieces if you've got the time.
In closing, a simple consumer warning — Volume 3 is laced with aural cocaine! Of course this could just be an endearing metaphor, but I must confess that I've now been on a three-day She & Him binger. I refuse to open the blinds or answer my door — and I can't feel my face. Now, play it again! Play it again! I said, "PLAY IT AGAIN!"
-Christopher Long
(May 2013)
YES, PLEASE!
With rainbow sprinkles in a waffle cone!
Author Christopher Long's latest book,
is available NOW on Amazon.


























